Switch Mode

Chapter 2

Beautiful World, Where Are You-Chapter 2

Dear Eileen. I’ve waited so long for you to reply to my last email that I am actually – imagine! – writing you a new one before receiving your reply. In my defence I’ve gathered up too much material now, and if I wait for you I’ll start forgetting things. You should know that our correspondence is my way of holding on to life, taking notes on it, and thereby preserving something of my – otherwise almost worthless, or even entirely worthless – existence on this rapidly degenerating planet … I include this paragraph chiefly to make you feel guilty about not replying to me before now, and therefore secure myself a swifter response this time. What are you doing, anyway, if not emailing me? Don’t say working.

I am going crazy thinking about the rent you’re paying in Dublin. You know it’s more expensive there now than Paris? And, forgive me, but what Paris has Dublin lacks. One of the problems is that Dublin is, and I mean literally and topographically, flat – so that everything has to take place on a single plane. Other cities have metro systems, which add depth, and steep hills or skyscrapers for height, but Dublin has only short squat grey buildings and trams that run along the street. And it has no courtyards or roof gardens like continental cities, which at least break up the surface – if not vertically, then conceptually. Have you thought about it this way before? Maybe even if you haven’t, you’ve noticed it at some subconscious level. It’s hard to go very far up in Dublin or very low down, hard to lose yourself or other people, or to gain a sense of perspective. You might think it’s a democratic way to organise a city – so that everything happens face to face, I mean, on equal footing. True, no one is looking down on you all from a height. But it gives the sky a position of total dominance. Nowhere is the sky meaningfully punctuated or broken up by anything at all. The Spire, you might point out, and I will concede the Spire, which is anyway the narrowest possible of interruptions, and dangles like a measuring tape to demonstrate the diminutive size of every other edifice around. The totalising effect of the sky is bad for people there. Nothing ever intervenes to block the thing from view. It’s like a memento mori. I wish someone would cut a hole in it for you.

I’ve been thinking lately about right-wing politics (haven’t we all), and how it is that conservatism (the social force) came to be associated with rapacious market capitalism. The connection is not obvious, at least to me, since markets preserve nothing, but ingest all aspects of an existing social landscape and excrete them, shorn of meaning and memory, as transactions. What could be ‘conservative’ about such a process? But it also strikes me that the idea of ‘conservatism’ is in itself false, because nothing can be conserved, as such – time moves in one direction only, I mean. This idea is so basic that when I first thought of it, I felt very brilliant, and then I wondered if I was an idiot. But does it make some sense to you? We can’t conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way. Just look at what conservatives make of the environment: their idea of conservation is to extract, pillage and destroy, ‘because that’s what we’ve always done’ – but because of that very fact, it’s no longer the same earth we do it to. I suppose you think this is all extremely rudimentary and maybe even that I’m un-dialectical. But these are just the abstract thoughts I had, which I needed to write down, and of which you find yourself the (willing or unwilling) recipient.

I was in the local shop today, getting something to eat for lunch, when I suddenly had the strangest sensation – a spontaneous awareness of the unlikeliness of this life. I mean, I thought of all the rest of the human population – most of whom live in what you and I would consider abject poverty – who have never seen or entered such a shop. And this, this, is what all their work sustains! This lifestyle, for people like us! All the various brands of soft drinks in plastic bottles and all the pre-packaged lunch deals and confectionery in sealed bags and store-baked pastries – this is it, the culmination of all the labour in the world, all the burning of fossil fuels and all the back-breaking work on coffee farms and sugar plantations. All for this! This convenience shop! I felt dizzy thinking about it. I mean I really felt ill. It was as if I suddenly remembered that my life was all part of a television show – and every day people died making the show, were ground to death in the most horrific ways, children, women, and all so that I could choose from various lunch options, each packaged in multiple layers of single-use plastic. That was what they died for – that was the great experiment. I thought I would throw up. Of course, a feeling like that can’t last. Maybe for the rest of the day I feel bad, even for the rest of the week – so what? I still have to buy lunch. And in case you’re worrying about me, let me assure you, buy lunch I did.

An update on my rural life and then I’ll sign off. The house is chaotically huge, as if in the habit of producing new, previously unseen rooms on a spontaneous basis. It’s also cold and in some places damp. I live a twenty-minute walk from the aforementioned local shop and feel as if I spend most of my time walking there and back in order to buy things I forgot about on the last trip. It’s probably very character-building, and by the time we see one another again I’ll have a really amazing personality. About ten days ago I went out on a date with someone who worked in a shipping warehouse and he absolutely despised me. To be fair to myself (I always am), I think I have by now forgotten how to conduct social intercourse. I dread to imagine what kind of faces I was making, in my efforts to seem like the kind of person who regularly interacts with others. Even writing this email I’m feeling a little loose and dissociative. Rilke has a poem that ends: ‘Who is now alone, will long remain so, / will wake, read, write long letters / and wander restlessly here and there / along the avenues, as the leaves are drifting.’ A better description of my present state I couldn’t invent, except it’s April and the leaves aren’t drifting. Forgive the ‘long letter’, then. I hope you’ll come and see me. Love love love always, Alice.

Beautiful World, Where Are You

Beautiful World, Where Are You

Score 9.0
Status: Completed Type: Author: Sally Rooney Released: 2021 Native Language:
Romance
A nuanced exploration of friendship, love, and purpose, the novel follows two best friends - Alice, a novelist, and Eileen, a literary editor as they navigate relationships, personal struggles, and questions about finding meaning in an uncertain world